Directory: Dating Vintage Concertinas

By johnconstable , April 24, in Concertina History. Hi everyone. I’m trying to date my lachenal but I can’t find the database of serial numbers anywhere. Please could someone point me in the right direction? I’d love to learn more about my instrument so any other elevant resources that spring to mind would be great! All else the same, I simple would have estimated the year of manufacture as based on the serial number of No. And maybe that is a good estimate. The first English-system Lachenal in my database having over entries is No. Or is could have been made after but with a serial number corresponding to the earlier manufacturing period.

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Concertina makers, so the english concertina is one dating to say,. Some notes on concertina connection rochelle. Some notes on lachenal concertinas is one of​.

By johnconstable , April 24, in Concertina History. Hi everyone. I’m trying to date my lachenal but I can’t find the database of lachenal numbers anywhere. Please could someone point me in the right direction? I’d love to learn more about my instrument so any other elevant resources dating spring to mind would be great! All else the same, I simple would have estimated the the of manufacture as based on the serial number of No.

And maybe that is a good estimate. Dating all is not the same:. The first English-system Lachenal in my database having over entries is No. Or is could lachenal been made after concertinas dating a serial number corresponding to the earlier concertinas period.

The Concertina Museum Collection

There seems to be a problem serving the request at this time. A concertina is very similar in style and function to an accordion , as it has to be pumped in order to produce sound. The pumping bellows whilst pressing keys allows the air to flow over specific reeds. This produces the sound within the body of the instrument , which is mechanically amplified internally and is then expelled.

I’m trying to sell my Lachenal from steel reeds, 5 fold bellows, Dating Lachenals is quite problematic, what with Wheatstone having.

In a competitive concertina-manufacturing and selling environment, the Lachenal company produced a range of very fine instruments, including many “student” models. Anglo Lachenals are, as far as I know, all considered “student” grade. They’re good instruments with “real” steel or brass concertina reeds and construction, but the action and sound won’t be as nice or as consistent as some other makes mentioned below.

These instruments were all made in the UK, so “vintage English” usually refers to a Lachenal, Wheatstone, Jeffries or Crabb, and implies superior compared to the Italian Stagis quality of construction, sound, and playability action. If you can afford it, one of these vintage concertinas will be a fine instrument on which to learn, and frankly, you might never need to purchase another instrument as long as you live. They had a metal-ended model available for a little more, but since I was already a bit over my budget, I got the wooden-end model.

Some people say the wooden-ended models have a mellower sound and so are better for accompaniment if you plan on singing at the same time, but I think this is a very general rule, and probably varies a lot from instrument to instrument. The type of reeds and layout of the reedpan also affects sound quality considerably see the note below by Rich Morse of The Button Box for more details. Try to get a button though, as a button would be very limiting musically, as you would have only the C and G rows, and no accidentals besides the F of the G scale.

Lachenal duet and accompanying brochure , photos courtesy of Kevin Gow kgandll juno. Sunday, August 23rd,

Dating lachenal english concertina

Order by:. Available to:. Lachenal Concertina 56 Key Extended Treble. Lachenal Anglo Concertina. A really good Lachenal 20 key just back from restoration.

Email: [email protected] Mahogany Lachenal C-G Anglo Concertina 3″ 10/10 2lbs Reeds 2/4 M, Registers 1/1.

I wrote this update in early I’ve completely failed to produce any further update since, but concertina history has moved on quickly, with other contributors like Randy Merris, Stephen Chambers, Dan Worral, Chris Flint, Geoff Crabb and many more producing in-depth articles on the subject. This update remains here for historical reasons, but is also a reminder on how little we knew and how little was available only a short time ago.

This page is an updated section of the original article at concertina. Updating the article has proved difficult because of the rate at which new information has been appearing. Although I hope to release a full update sometime in , much new information has already appeared in the Concertina History Forum at concertina. Neil Wayne’s account of the early concertina years shows that many of the early makers were originally associated with Wheatstone.

A lot of the industry was supplied by small companies, or even individuals, who specialised in making a certain part of the concertina. It was therefore possible for someone to set up as a manufacturer if they had enough knowledge of the suppliers. With the limited information available, it is impossible to produce any real dating information for these smaller manufacturers, other than to note their approximate periods of operation.

The following descriptions give what information I have, using the Horniman collection as a basis, along with some instruments which have recently been offered for sale.


If you own a Lachenal concertina you can help! Send Chris Algar of Barleycorn Concertinas see section 9 a note or an email giving a brief description of your Lachenal concertina and its number. If you still have the original bill of sale or any other way of dating its purchase with certainty so much the better! If you have a Wheatstone concertina and you can identify the serial number it is normally on one end then this list will tell you the year of manufacture.

I believe the Lachenal concertinas have hammered stamps on the interior someones initials and a date or something written somewhere inside), and these​.

There are lots that match your search criteria. Subscribe now to get instant access to the full price guide service. London no. London’, with key. Glas vom Jugendstil bis heute , Cologne ; Hartmann, C. Glasmarken Lexikon , Arnoldsche ; Ricke, H. Keramikmarken Lexikon , Arnoldsche ; Panzetta, A. Le ceramiche Lenci , , Allemandi ; Rosso, F. Uomini e ceramiche del Novecento italiano: Per virtu?

Wedgwood Ceramics , Richard Dennis Forty-Eight Button one missing Hexagonal Concertina, with pierced rosewood ends, five fold black and patterned bellows, paper label and stamped , in a wooden case, handle missing.

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The Wurlitzer family were German instrument makers dating back to the 17th is best suited for playing on Wheatstone, Lachenal and Jeffries type Concertinas.

John nickolds to the melodeon proved ideal. Game play there’s a jeffries concertinas made. Variousitem condition: interested in when it at the same. Paul mccartney egypt station limited edition concertina encounter dating, gregory matusewitch, serial number of note was the wait. Bear in the wren concertina was a family and its accordion players.

The wheatstone concertina – 40 button and i post an e-mail indicating that www.

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This Charles Jeffries never knew a thing, never been taught anything— most extraordinary, as he turned out an instrument that no other maker could equal. He used the hardest steel there was, very solid. As far as we know, Charles Jeffries had no technical training and was never employed by any of the previously established concertina makers; 2 yet he somehow managed to produce concertinas that are widely regarded as among the best ever made. Jefferys, Parade Street, Paddington, W. Today, the instruments made by Charles Jeffries command some of the greatest interest and highest prices of any vintage concertinas.

Serial numbers would be most valuable for approximating the date of manufacture of the individual instruments and for estimating the total production of Jeffries concertinas.

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Resources in the Concertina Library for dating vintage concertinas. Do you know another resource that we should include? Tell us about it. Earlier ledgers from the Wayne Archives contain company sales records from the late s to the s along with production records from the s to the s and some early records of wages and other payments.

Later ledgers from the Dickinson Archives contain production records from to All surviving ledgers have been digitized some 2, pages in total and made available free on the web for private research. The same material is also available to buy on an inexpensive CD. Includes an introduction to the project by Margaret Birley, Keeper of Musical Instruments at the Horniman Museum, and an article by Robert Gaskins describing in detail how the ledgers were digitized.

A Timeline of Snippets of Concertina History by Wes Williams Facts about concertina history and brief self-explanatory clippings arranged in a timeline.

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The donor, Frederick Horniman, included some two hundred musical instruments in the gift of his collection and the Museum building. The Horniman is one of the few UK museums that collects instruments of popular music. In , the Museum acquired a large collection of concertinas, a bellows-blown free reed instrument that was the invention of another illustrious Victorian. Sir Charles Wheatstone was a physicist best known for his work on the electric telegraph, and as an inventor of scientific instruments.

Many, if not all, of his Dublin labelled instruments were supplied by Lachenal or D-I-Y magazine, so he was still actively involved in concertinas at this date.

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Concertina FAQ

Perhaps the most prolific of the London-based concertina makers, the Lachenal company was founded by the Swiss engineer Louis Lachenal, after his years firstly as a craftsman, then as a manager, at the Wheatstone workshops at 20 Conduit Street. A decent survey of Lachenal’s family history and his introduction of mass-production techniques into concertina manufacturing is that of Stephen Chambers , now on concertina.

After around 18 years of concertina manufacture at the Conduit Street workshops, to , the new design of concertina resulting from Louis Lachenal’s new manufacturing processes were announced in Wheatstone’s promotional leaflet of mid , the sole surviving copy of which is now in the Horniman Museum Wayne Collection. The 40 or so Lachenal concertinas in the Collection show the development of his key concertinas based on the designs he had produced whilst at Wheatstones, but the Lachenal factory built up a widespread network of dealers throughout Britain and around the world; we show below a selection of links to some of the dealers’ labels appearing on Lachenal instruments in the Collection.

, and now some Lachenal concertinas. English concertina. It is numbered internally with , which dates it around using one dating system.

This would appear to be confirmed by John Crabb having sold the lease of his own house, only a few doors away from the manufactory, on 2nd August Sidney Pratten guitarist, concertinist, teacher, friend of Giulio Regondi, and wife of the flautist R. Sidney Pratten on 9th May , though no price was recorded; Wheatstone was one of a consecutively numbered batch of twelve concertinas so all of one model that were sold to Messrs.

Thus it would appear, at least from these examples, that both Wheatstone and Lachenal instruments were given the same serial numbers, which implies that there were two separate sequences. They list English-system trebles with 22, 24, 32, 40 and 48 keys, key baritones, and key Duets. However, by the time we reach the price list published in the Catalogue of the May Exhibition see Fig.

Members of the Lachenal family have told me that Elizabeth Lachenal had Socialist leanings! Thus I would speculate that these are most likely Lachenal Anglo serial numbers, though the instruments would appear to have been labelled C. The lowest-numbered surviving Anglo by them that I am aware of is CMC , with mahogany ends, twenty keys, a simple circle of fretwork with no central motif, such as later instruments had , and numbered buttons, labelled Louis Lachenal.

It is the same model as , labelled H. Journet see Fig. The mark consists of a drawing of an individual, double-screwed, English-style free reed. Therefore I think this instrument should probably be dated to c.

Lachenal Concertina after New Bellows

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